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    #46
    Originally posted by keleven View Post
    Sure, fair enough, I've met some of those people. If they don't like the new Dark Side because they didn't like the old Dark Side either, there is nothing surprising about that. But for present purposes I'm talking about people who do like the album.
    Sure. Let me make a suggestion: the line of discussion you're pursuing could (emphasizing could) come off as an attempt to corner people into admitting that they're not really hearing the album with open ears, because of preconceptions or biases that made them dismiss it before they heard a note.

    If that's what you have in mind (on some level), in some cases you may be right! Everyone has preconceptions about, and biases against, various artists and genres and projects and so forth. But that's really their private business, and dscussing it here won't lead to anything positive, so I'd drop it.

    As for me, I listened to Time last night and found the production more tasteful than I expected, though I'm not a fan of the pumping-limiter sound typical of the 21st century (where the recording quietens for a split second after every downbeat). I listen to bands like Low, so this kind of production, morose affect, and glacial tempi are hardly a stranger to me (let alone anyone who enjoys doom metal, a band like Bohren & der Club of Gore, slowed-down chillwave stuff, etc.).

    Other people listen for different things and won't connect or want to connect with this approach. I didn't have a problem with it but don't feel compelled to seek out the whole album either.
    Last edited by goldenband; 08-27-2023, 07:11 PM.

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      #47
      Some people like this new version of Time, for a number of reasons. Some people don’t like it, for the same number of reasons.
      We can discuss this forever, but I’m afraid that won’t change anything… so can we please move on?
      The Pink Floyd Archive

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        #48
        Originally posted by goldenband View Post
        Sure. Let me make a suggestion: the line of discussion you're pursuing could (emphasizing could) come off as an attempt to corner people into admitting that they're not really hearing the album with open ears, because of preconceptions or biases that made them dismiss it before they heard a note.

        If that's what you have in mind (on some level)
        No, that thought didn't even occur to me. (I wrote on another thread that the time where every PF Internet discussion devolves into a Roger vs. Dave feud feels like 20 years ago; most of us are past that.) My operating assumption is that anyone who bothers to click and listen to the thing as soon as it's dropped is at least a little interested in / receptive to the the concept - which is, indeed, exactly why I was surprised to see so much negativity.

        bands like Low
        Great example of how the down-tempo stuff can be so mesmerizing!

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          #49
          Originally posted by keleven View Post

          It's a fair question. I'm happy to answer it.
          Thanks for answering my challenge to you, with care and consideration. While I don't fully agree with your conclusion I think you make valid points and I better see where you are coming from.

          Originally posted by keleven View Post

          I don't get why Roger Waters fans don't like it.​​
          Now I'm going to be glib here, but please be assured I'm not having a go at you or detracting from what I said above, but perhaps the simple answer is: I'm not a Roger Waters fan. As I mentioned in my original reply, I don't believe in the "Roger Waters is the creative genius of Pink Floyd" hype. That doesn't mean I think his contributions are insignificant, ​but the "creative genius" vs "musical genius" antagonism is just a marketing construct that's been created out of the conflict in later years.

          I am a Pink Floyd as the greater than the sum of the parts fan. But not Roger Waters on his own, nor David Gilmour on his own (except for maybe parts of that first solo album).

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          • TheMoebLoop
            TheMoebLoop commented
            Editing a comment
            I enjoyed this comment very much! I feel precisely the same way. "Amused to Death" is a record I love (apart from "Watching TV", of course), but that is a Roger Waters record; if we're talking about Pink Floyd, then the entity cannot be split into who did what, regardless of how much one tries to take credit for everything that went on - that is rubbish.

          #50
          some just add a guitar

          https://www.youtube.com/watch?v=ps-lCHnzj3w

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          • TheMoebLoop
            TheMoebLoop commented
            Editing a comment
            This guy knows his stuff. Way to poke fun at Roger by adding tasteful guitar to his "Money" redux.

          #51
          Originally posted by keleven View Post
          My operating assumption is that anyone who bothers to click and listen to the thing as soon as it's dropped is at least a little interested in / receptive to the the concept
          Aaah, well, I for one am a counterexample to that operating assumption. I listened not because I was receptive to the concept but rather the opposite. I expected it to be totally horrible, and I was curious to see if I was correct about my own assumption. It wasn't totally horrible to my ears, but that is still short of embracing it. But at least I gave it a chance, eh?

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            #52
            Originally posted by svaerige View Post
            And blocked already. Within 20 minutes no less.
            Last edited by MrFender; 08-28-2023, 01:18 PM.
            For every mile of road, there's two miles of ditch. Three if you're on the Interstate. - Derek Bieri, Vice Grip Garage

            PF - April 18, 1988, Denver
            PF - June 22, 1994, Minneapolis
            Rog - July 16, 2017, Atlanta (Taped)
            Rog - Aug 20, 2022, Atlanta (Taped)
            Nick - March 29, 2019, Atlanta (Taped)

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              #53
              Originally posted by MrFender View Post

              And blocked already. Within 20 minutes no less.
              mine link is not blocked - i can still see it

              i could post the MP3 file if possible - it's worth it​

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                #54
                Originally posted by svaerige View Post
                Figures. Also, what does Paramount Global own here? That doesn't make any sense.
                Attached Files
                Picture a courthouse with no fucking laws!
                Picture a cathouse with no fucking whores!
                Picture a shithouse with no fucking drains!
                Picture a leader with no fucking brains!

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                  #55
                  https://www.youtube.com/watch?v=tLqv...IGd1aXRhcnM%3D
                  The same guy who made the Money one that apparently Paramount owns (somehow) also did one for Time.
                  Picture a courthouse with no fucking laws!
                  Picture a cathouse with no fucking whores!
                  Picture a shithouse with no fucking drains!
                  Picture a leader with no fucking brains!

                  Comment


                  • Alanko
                    Alanko commented
                    Editing a comment
                    Horrible guitar tone and time keeping (ironically) on both videos.

                  #56
                  Roger's Redux version of Money.
                  I just heard the Redux version of Money on XM Sirius played by Jim Ladd as we know Jim was on the KAOS album & tour.
                  He called it Extraordinary and liked hearing his new take on music he wrote 50 years ago, and said he will be playing more of it.
                  Jim has done a number of interviews with Roger, I wonder if he may be connecting with Roger on the release of DSOTM Redux.
                  Last edited by mark2114; 08-29-2023, 02:23 AM.

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                    #57
                    Originally posted by daemonspudguy View Post
                    Also, what does Paramount Global own here?​
                    maybe the pictures Click image for larger version

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                      #58
                      Originally posted by svaerige View Post
                      Thanks to daemon's link I could listen to it. Infinitely more listenable.
                      For every mile of road, there's two miles of ditch. Three if you're on the Interstate. - Derek Bieri, Vice Grip Garage

                      PF - April 18, 1988, Denver
                      PF - June 22, 1994, Minneapolis
                      Rog - July 16, 2017, Atlanta (Taped)
                      Rog - Aug 20, 2022, Atlanta (Taped)
                      Nick - March 29, 2019, Atlanta (Taped)

                      Comment


                        #59
                        Hi,

                        I have to say the musical interpretation really grows on me (i also like the downbeat version from CN) but the „singing“ still reminds me of a sad Leonard Cohen imitation. I have no joy listen to this broken voice.

                        Best
                        Skinny
                        FINGAL‘S CAVE: A Podcast for all dedicated Pink Floyd Fans

                        Available here:
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                          #60
                          Originally posted by Skinny12 View Post
                          Hi,

                          I have to say the musical interpretation really grows on me (i also like the downbeat version from CN) but the „singing“ still reminds me of a sad Leonard Cohen imitation. I have no joy listen to this broken voice.

                          Best
                          Skinny
                          That's an interesting perspective on his voice. As I posted, personally I think it's a vast improvement over that horrible strained thing he was doing for the last 40+ years, from The Wall onwards.

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