Hi folks,
Sorry this has probably been discussed before, but I think that the main thread has been unfortunately closed and I'm really intrigued by the sound/pedal effect David Gilmour is using for the first half of his magnificent guitar solo (which reminds me "Marooned" (I don't think that he used a whammy this time) on "Between The Points." I like the production of this song : warm and cavernous at the same time, Romany has a beautiful voice (this reminds me a long time ago when she was too shy to sing "Hey Jude" (but better than Linda's harmonies at Knebworth ;-) near the fire.
I'd even dare to say that it reminds me a bit of Suzanne Vega.
This is a totally different tune to the previous song (The Piper's Call) which sounded like 1972 and the "The Gold It's in the…" guitar solo (one of my favorite by the way) from the La Vallée/Obscured By Cloud album.
Sorry this has probably been discussed before, but I think that the main thread has been unfortunately closed and I'm really intrigued by the sound/pedal effect David Gilmour is using for the first half of his magnificent guitar solo (which reminds me "Marooned" (I don't think that he used a whammy this time) on "Between The Points." I like the production of this song : warm and cavernous at the same time, Romany has a beautiful voice (this reminds me a long time ago when she was too shy to sing "Hey Jude" (but better than Linda's harmonies at Knebworth ;-) near the fire.
I'd even dare to say that it reminds me a bit of Suzanne Vega.
This is a totally different tune to the previous song (The Piper's Call) which sounded like 1972 and the "The Gold It's in the…" guitar solo (one of my favorite by the way) from the La Vallée/Obscured By Cloud album.
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