The curious thing developing with streaming is unique mixes and masters coming and going. There's a lot of bs in surround sound land to begin with with faux mixes still getting released too often. The mostly stereo affairs with just some awkward reverb in the rear (and now up top with the extended formats). People following the streaming services since the lossless options went live recently are talking about mixes being replaced with lesser fidelity versions and surround mixes being replaced with mostly stereo faux surround mixes. I'm not on the pulse of this. It's a lot of polite "modern" stuff I'm just not into. Someone is going to be collecting all this though and I think streaming is ultimately going to result in multitudes of rare mixes. Most or many of them will be intentional crap though. I think this is all copy protection gone wild behavior. There are genuinely lossless streaming options now and that leads to the industry losing their collective mind and freaking out and pulling things down.
Interesting times for sure. I think it's more important than ever before to keep a collection of the stuff you like. It can disappear from official outlets overnight and the only way you'll get it back is to talk with someone who saved a copy themself.
Interesting times for sure. I think it's more important than ever before to keep a collection of the stuff you like. It can disappear from official outlets overnight and the only way you'll get it back is to talk with someone who saved a copy themself.
Comment